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Feminist Film Theory and Pretty Woman by Professor Mari Ruti offers an incisive exploration of the complexities surrounding gender representation in cinema, using the iconic film Pretty Woman as a focal point. Ruti delves into the nuances of feminist film theory, interrogating the ways in which the film both challenges and reinforces societal norms regarding femininity and desire.
Set against the backdrop of 1980s America, Pretty Woman follows the unlikely romance between a wealthy businessman and a spirited sex worker. Ruti dissects the film's narrative structure, character dynamics, and visual aesthetics, revealing how these elements contribute to its cultural impact. By analysing pivotal scenes and character arcs, the author invites readers to reconsider the film's legacy and its portrayal of women's agency.
This book is ideal for students and scholars of film studies, gender studies, and cultural criticism. It also appeals to general readers interested in feminist discourse and the evolution of cinematic narratives. Ruti's previous works, such as The Age of Scientific Sexism, also tackle themes of gender and representation, making this book a valuable addition to her oeuvre.
"A compelling intersection of film analysis and feminist theory that challenges conventional interpretations."
Format: Paperback / softback
Dimensions: × ×
Pages: 216
Publisher: Bloomsbury Publishing
ISBN: 9781501319464
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